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FEATURE MOVIES & ENTERTAINMENT

FEATURE MOVIES & ENTERTAINMENT

 

 

 

ABRAHAM LINCOLN

VCR No. 2866, 1930, 126 mins. [b/w]

 

This feature film, directed by the legendary D.W. Griffith, gives an account of President Abraham Lincoln’s entry into politics and years of power. Starring Walter Huston and Una Merkel.

 

 

 

ALL ABOUT EVE

VCR No. 2935, 1950, 138 mins. [b/w]

 

The trouble with being at the top of your profession is that there’s always someone at the bottom who wants noting more than to knock you down. So Bette Davis discovers when conniving but ever-so-sweet Anne Baxter arrives on the Broadway scene. How Baxter schemes her way to the top makes for very absorbing entertainment. Winner of four Oscars.

 

 

 

AMERICA BUFFALO

VCR No. 4040, 1996, 87 mins.

A pair of crooks and their young intern plot the theft of a valuable Buffalo-head nickel. Most of the story takes place within the junky confines of Don Dubrow's second-hand store. And most of the story focuses on the machinations of these well-drawn characters who pro- vide fascinating insight into the criminal mind as they ingeniously devise new ways to manipulate and aggravate each other. Based on a 1975 play by David Mamet.

 

 

AN AMERICAN IN PARIS

VCR No. 2686, 1951, 109 mins.

The film is a charming love story. Jerry, an ex-G.I. (Kelly), has stayed in Paris to paint. He falls in love with a woman who is due to wed another; ultimately, the painter and his French beauty are happily united. The most memorable sequences is the film’s ballet, set to the George Gershwin score that gives the movie its title. The dance reflects the painter’s life in Paris. Each segment of the ballet uses stunning costumes and settings to evoke the style of a different great painter.


ANCHORS AWEIGH 

VCR No. 2890, 1945, 144 mins.

They’re song and dance; they’re Sinartra and Kelly; and they’re the co-stars in this non-stop musical hit that first entertained and enthralled movie-goers back in 1945. Frank and Gene play a couple of sailors on a four-day pass who meet up with a Hollywood “extra” – played by Kathryn Grayson. Miss Grayson wants to be a star and the naval buddies decide to help and that’s the movie’s cue for action. Song, dance, laughter and romance are all here in the best tradition of a Hollywood musical classic and includes Gene Kelly’s unforgettable routine with Jerry Mouse – a brilliant piece of choreography blending live action and cartoon for one of the very first times on the cinema screen.

 

 

“THE APARTMENT” 

VCR No. 2831, 1960, 119 mins. [b/w]

 

A lonely, ambitious clerk in a New York insurance company rents out his dilapidated apartment to philandering executives and their girlfriends. In exchange for the key to this convenient love-nest, he hopes to take steps up the promotional ladder. Everything goes according to plan until he falls in love with the elevator girl and discovers she’s the mistress of his boss. A mordant satire on business ethics and human frailty, “The Apartment” won five Academy Awards including Best Picture.

 

 

 

BRIDGE ON THE RIVER KWAI

VCR No. 2684, 1957, 161 mins.

 

Captured by the Japanese, British soldiers are forced to build a railway bridge across the River Kwai. Starring William Holden, Jack Hawkins, and Alec Guinness. Winner of seven Academy Awards, including Best picture.

 

CANNERY ROW
VCR No. 3009-H, 1982, 120 mins. 

A screen adaptation of John Steinbeck’s novel about the characters living on Monterey’s dilapidated waterfront. Starring Nick Nolte and Debra Winger, and narrated by John Huston. Directed by David S. Ward.

 

 


CAT ON A HOT TIN ROOF

VCR No. 4034, 1958, 108 mins.

Thrilling performances by Paul Newman, Elizabeth Taylor, and Burl Ives make this adaptation of Tennessee Williams' story about a wealthy plantation owner succumbing to cancer, one of the most acclaimed movies in history.

 

 

A CHORUS LINE

VCR No. 2892, 1988, 112 mins.

In a Broadway theatre host of dancers wait and hope for a chance to perform in A Chorus Line. Only eight will succeed. Michael Douglas stars as Zach, the man who must make the final choice and decide their fate. A Chorus Line, Broadway’s longest running and most successful stage show is now one singular screen sensation. The stage show opened at New York’s Public Theatre in May 1975 and swiftly moved to the Schubert Theatre on Broadway and has remained there, playing to packed houses, ever since. A Chourus Line has won a Pulitzer Prize and nine Tony’s.

 

 

THE CRUCIBLE

VCR No. 4041, 1996, 123 mins.

 

Starring: Daniel Day-Lewis, Winona Ryder, Paul Scofield, Joan Allen, Based on a play by Arthur Miller. The setting 17th century Salem, Massachusetts. A group of teenage  girls meets in the woods at midnight for a secret love-conjuring ceremony. But instead of love, Abigail Williams (Winona Ryder) wishes for the death of her former lover’s (Daniel Day-Lewis) wife. When the ceremony is witnessed by the town minister, the girls are accused of witchcraft. Soon the entire village is consumed by hysteria, & innocent victims are put on trial, leading to a devastating climax!

 

 

 

DARK VICTORY 

VCR No. 2969, 1939, 100 mins. [b/w]

 

In this tour de force, Bette Davis portrays a Long Island socialite who learns she has a brain tumour and has less than a year to live. The fine cast includes George Brent, Humphrey Bogart, Geraldine Fitzgereld and Ronald Reagan.

 

 


DEATH OF A SALESMAN

VCR No.4068, 1985, 136 mins.

CBS’s production of Arthur Miller’s Death of a Salesman, directed by Volker Schlondorff, is a very effective presentation of the play. In this play, Miller expounds on the troubled life of New England salesman Willy Loman. Loman’s struggles with his job and family life come to a head during a visit by both his sons. After several heated confrontations, Willy comes to the belief that he can be of more benefit to his family, especially his sons, by taking his life and leaving them with the insurance payment. Acting and set are two of the most notable elements in this production of Death of a Salesman.

 

 

THE DEER HUNTER

VCR No. 2772, 1978, 175 mins.

 

Winner of five Academy Awards, including Best Picture and Best Director, The Deer Hunter is simultaneously an audacious directorial conceit and one of the greatest films ever made about friendship and the personal impact of war. Like Apocalypse Now, it's hardly a conventional battle film--the soldier's experience was handled with greater authenticity in Platoon--but its depiction of war on an intimate scale packs a devastatingly dramatic punch. Director Michael Cimino may be manipulating our emotions with masterful skill, but he does it in a way that stirs the soul and pinches our collective nerves with graphic, high-intensity scenes of men under life-threatening duress. Although Russian-roulette gambling games were not a common occurrence during the Vietnam War, they're used here as a metaphor for the futility of the war itself. To the viewer, they become unforgettably intense rites of passage for the best friends--Pennsylvania steelworkers played by Robert De Niro, John Savage, and Oscar winner Christopher Walken--who may survive or perish during their tour through a tropical landscape of hell. Back home, their loved ones must cope with the war's domestic impact, and in doing so they allow The Deer Hunter to achieve a rare combination of epic storytelling and intimate, heart-rending drama.

 

 

 

DINNER AT EIGHT

VCR No. 2396, 1933, 107 mins. [b/w]

 

George Cukor directs one of the most star-studded casts ever assembled on screen at the same time in the 1933 classic, Dinner at Eight, a dramatic comedy of low dealings in high society. Based on the Broadway hit by George S. Kaufman and Edna Ferber, the film delves into the manipulations of a Park Avenue snob, desperate to give a dinner party for a visiting English peer. Little does she realize that her shipping magnet husband (Lionel Barrymore) is bankrupt, and that her daughter (Madge Evans) is having an affair with an older man. Unwittingly she draws up a guest list that conceals a neat web of intrigue and romance. Dinner at Eight is a perfect menu of sparkling sparkling humour and tragedy which will please even the most discriminating plate, and will have everyone asking for seconds.

 

 

ETERNALLY YOURS

VCR No. 2865, 1938, 91 mins. [b/w]

 

In this romantic comedy, a young woman breaks off her engagement with her wealthy fiancé to marry a magician, and then finds that his career takes precedence over their marriage. Starring Loretta Young, David Niven, Broderick Crawford, and Eve Arden.

 

 

 

42ND STREET

VCR No.1838, 1933, 89 mins.

 

Set during the depression, this is the granddaddy of backstage musicals in which the understudy finally gets a chance to shine. It may seem a little cliché now, but in 1933 this was hot stuff. All that behind-the-scenes atmosphere feels very genuine, and the script is more acerbic than you might expect. A sickly Julian Marsh (Warner Baxter) puts his all into what may be his last show, only to face a disaster when leading lady Dorothy Brock (Bebe Daniels) sprains her ankle. Thank heavens for ingénue Peggy Sawyer (Ruby Keeler), who steps in at the last minute. The vivacious soundtrack includes "Shuffle off to Buffalo," and the still-catchy title tune. Best of all are those extravagant, kaleidoscopic dance numbers by Busby Berkeley, then in his prime.

 

 

 

FROM HERE TO ETERNITY

VCR No. 2815, 1953, 114 mins.[b/w]

 

Winner of 8 Academy Awards, including Best Picture, From Here To Eternity is a searing indictment of military life, where one walks the line or pays the price. In a peacetime army camp in Hawaii, commander’s wife, Deborah Kerr, and career soldier, Burt Lancaster, risk everything in a love affair that could destroy thrm. Persecuted by his peers, hard-headed Montgomery Clift wants to settle down with prostitute Donna Reed, but she yearns for something better. Clift’s only friend, Frank Sinatra, stands up to sadistic stockade guard, Ernest Borgnine, and pays the ultimate price. This turbulent storm of human emotions culminates in an explosive climax on December 7, 1941 with the attack on Pearl Harbor. Featuring some of the finest performances of these actors’ careers, From Here To Eternity is a riveting drama, considered one of Hollywood’s greatest cinematic achievements.

 

 


GIGI

VCR No. 2754, 1958, 111 mins.

Any film that wins ten Academy Awards, including Best Picture. Has to have something very special. “Gigi” has the captivating Leslie Caron, the irrepressible Maurice Chevalier and a magnificent musical score. Based on Colette’s story of a tomboy who blossoms into a sophisticated young lady in turn-of-the-century Paris, “Gigi” remains as freash and sparkling as the day it became Champion Prizewinner of 1958.

 

 

GLENGARRY GLENROSS

VCR No. 4039, 1992, 100 mins.

 

Al Pacino, Jack Lemmon,  Alec Baldwin & Ed Harris shine in this powerful story set in the world of real estate. Times are tough at Premiere Properties. Shelley “the machine” Levene (Lemmon) & Dave Moss (Harris) are veteran salesmen, but only Ricky Roma (Pacino) is on a hot streak. Thje new Glengarry sales leads could turn everything around, but the front office is holding them back until these “losers” prove themselves. Then someone decides to take matters into his own hands, stealing the Glengarry leads & leaving everyone wondering who did it. Featuring superb performances from its all-star cast, Glengarry Glen Ross is a riveting tale of desperation & betrayal based on David Mamet’s Pulitzer Prize-winning play.

 

 

 

GONE WITH THE WIND

VCR No.1841, 1939, 220 mins.

 

This classic romance of the American Civil War is based on the novel by Margaret Mitchell. The unforgettable Scarlet O’Hara survives the Civil War, but finally loses the only man she loves. Starring Clark Gable, Vivien Leigh, Leslie Howard and Olivia de Havilland.

 

 

 

OF HUMAN BONDAGE

VCR No. 2936-HF, 1934, 83 mins. [b/w]

 

Bette Davis catapulted to stardom with her unforgettable performance as the sluttish Mildred in this classic screen version of W. Somerset Maugham’s timeless tragedy of a young doctor’s obsessive, self-destructive love for a tawdry London waitress.Leslie Howard is equally brilliant as the sensitive medical student who is nearly destroyed by his all-consuming love in this eloquent & emotional drama.

 

 


THE JAZZ SINGER 

VCR No. 2980, 1927, 86 mins. [b/w]

 

Generally considered the first sound feature, this 1927 film is pretty much silent except for a few lines of dialogue and Al Jolson's songs. The story finds Jolson playing the son of a cantor who wants him to follow in his footsteps, but the singer prefers secular music. Except for its historical value, the film isn't all that interesting, though it is great to get a sense of why people considered Jolson to be a hugely exciting entertainer at the time.

 

 

 

KRAMER VS. KRAMER

VCR No. 2768, 1979, 105 mins.

 

Kramer Vs. Kramer is the box-office smash that garnered 5 Oscars including Best Picture, Best Actor for Dustin Hoffman and Best Supporting Actress for Meryl Streep. It’s a story of contemporary relationships, values and choices. Returning home late from work one night, a career-obsessed Ted Kramer (Hoffman) is told by his wife, Joanna (Streep), that she is leaving him. After a lifetime of being “somebody’s daughter or somebody’s wife”, she’s going off to find herself – leaving Ted to care for their six-year-old son. Ted, while trying to hold down his job, gets to really know his son as few fathers do: cooking his meals, taking him to the park, understanding every need and fear. Fpor the first time in his life he feels like a fulfilled parent. But then Joanna returns. And she wants her son back.

 

 

LEAN ON ME

VCR No. 2910, 1989, 104 mins.

 

Lean on Me is the rousing, fact-based story of high school principal Joe Clark, who armed himself with a bullhorn and a Lousville Slugger and slammed the door on losers at Eastside High in Paterson, New Jersey. Brought in as a last hope to save the school, he chained the doors shut to keep troublemakers out and strivers in. Parents fought him. Teachers fought him. But lots of kids loved him. Clark turned Eastside around, becoming a national symbol of tough-love education and appearing on the cover of Time.

 

 

LES GIRLS

VCR No. 2749, 1957, 97 mins.

Sadly for movie musical fans, “Les Girls” was to be the last score written for a film by the brilliant Cole Porter. But combined with direction by George Cukor and starring Gene Kelly, Kay Kendall, Mitzi Gaynor and Taina Elg, it was to be a swansong and dance sensation. From beginning to end the story mixes comedy with drama and love with laughter as it follows the exploits of a trio of dancing girls and their impresario as they tour across Europe.

 

 

THE LITTLE FOXES

VCR No. 2934, 1941, 116 mins. [b/w]

 

Bette Davis gives an unforgettable performance as Regina Giddens, a vicious woman who destroys everyone around her while trying to satisfy her desire for wealth and social position. Adapted from Lillian Hellman’s prizewinning play and superbly directed by William Wyler, “The Little Foxes” was nominated for 9 Academy Awards.

 

 

 

LONG DAY’S JOURNEY INTO NIGHT

VCR No. 4036, 1962, 180 mins. [b/w]

 

Performances by Katharine  Hepburn as the mother ravaged by drug addiction. Sir Ralph Richardson as the embittered alcoholic father &  Jason Robards, Jr. &  Dean Stockwell as the maladjusted brothers, transform Eugene O’Neill’s Pulitzer Prize-winning masterpiece, Long Day’s Journey Into Night, into one of America’s most stunning film achievements.

 

 

 

THE MAN WITH THE GOLDEN ARM

VCR No. 2861, 1955, 119 mins.

 

A Chicago poker dealer succeeds in kicking his drug habit. Directed by Otto Preminger, and starring Frank Sinatra and Kim Novak.

 

 

  

MEET ME IN ST. LOUIS

VCR No. 2889, 1944, 110 mins.

 

It’s Judy Garland as the Classic American Teenager; in love, in song, in one of the brightest hours of her career. “Meet Me in St. Louis” is more than a musical; it’s a charming turn-of-the-century family album full of magic and memories.  Imagine St. Louis 1903 a by-gone era of real innocence and carefree fun. It is just before the opening of the wondrous St. Louis World’s Fair. The entire Smith family is crushed to learn that Father has accepted a transfer to New York City. The five children don’t want to leave their friends, or , most of all, miss the fair. The family upheaval, and final resolution of the story, make an unforgettable, heart-warming movie.

 

 


 

OKLAHOMA! 

VCR No. 2891, 1955, 134 mins.

 

The hit Broadway musical from the 1940s gets a lavish if not always exciting workout in this 1955 film version directed by old lion Fred Zinnemann (High Noon). Gordon MacRae brings his sterling voice to the role of cowboy Curly, and Shirley Jones plays Laurie, the object of his affection. The Rodgers and Hammerstein score includes "The Surrey with the Fringe on Top," "Oh, What a Beautiful Mornin'," and "People Will Say We're in Love," and Agnes DeMille provides the buoyant choreography. Among the supporting cast, Gloria Grahame is memorable as Ado Annie, the "girl who cain't say no," and Rod Steiger overdoes it as the villainous Jud.

 

 

PENNY SERENADE

VCR No. 2862, 1931, 118 mins.

 

In flashbacks, a woman recalls her courtship, marriage and the death of two children, as she is about to divorce her husband. Starring Cary Grant and Irene Dunne.

 

 

 

POT O’ GOLD

VCR No. 2858, 1941, 86 mins. [b/w]

 

In this musical, James Stewart “discovers” an excellent band and comes up with the idea of a radio show called “Pot O’ Gold” to promote the band. Stars James Stewart and Paulette Goddard.

 

 

THE RAGE OF PARIS

VCR No. 2864, 1938, 75 mins.

In this fast-paced comedy, an ex-actress and a waiter team up and conspire to set up a beautiful French girl in a high-class hotel so she can catch a millionaire husband. Starring Danielle Darrieux and Douglas Fairbanks Jr.

 

 

 

ROCKY II

VCR No.1981, 1979, 117 mins.

 

This sequel to the Academy Award winning picture ROCKY finds the champ disenchanted and down on his luck. Through the encouragement of friends and his manager, Rocky agrees to a rematch against Apollo Creed--and that's when the fighting really begins. Sylvester Stallone wrote and directed this exciting follow-up, with Burgess Meredith, Talia Shire, Carl Weathers, and Burt Young all reprising thier roles from the first film.

 

 

 

SANTA FE TRAIL

VCR No. 2876, 1940, 110 mins. [b/w]

 

Starring Errol Flynn, Olivia de Havilland, Raymond Massey and Ronald Reagan, this film tells the story of a cavalry officer who is responsible for the final capture of John Brown. Directed by Michael Curtiz.

 

 

 

THE SCARLET LETTER

VCR No. 4035, 1995, 135 mins.

 

Sexy Demi Moore (Disclosure, Indecent Proposal) heats up this powerfully sensual story of illicit love! In a time when adultery is punishable by death, Hester Prynne (Moore) becomes involved in a risky & scandalous affair with her town’s handsome minister (Gary Oldman – Murder in The First). But when their secret passion results in a child, Hester is confronted with the town’s overwhelming scorn … & is condemned to forever wear the scarlet letter “A” as a public brand of shame! A highly provocative retelling of the classic tale of forbidden love, The Scarlet Letter combines a sizzling story with exciting stars.

 

 

 

THEY SHOOT HORSES DON’T THEY?

VCR No. 2398, 1969, 113 mins.

 

The scene is set for the world’s greatest marathon dance contest, 102 couples set out. The contest ends only when two of the wonderful starry-eyed kids are left, only when the last two dancers stagger, stumble and sway, swooning across the sea of deceit and despair to victory. One couple and only one will waltz out over broken bodies and broken dreams carrying the grand prize of 1’500 silver dollars. “They Shoot Horses, Don’t They?” is a gripping film full of emotion and struggle, love and anger, success and failure, bringing a new meaning to dancing the night away.

 

 

 

SHOWBOAT

VCR No.1840, 1951, 104 mins.

 

Based on the novel by Edna Ferber, this film tells about the lives and loves of the personnel on an old-time Mississippi showboat. Starring Kathryn Grayson, Ava Gardner, and Howard Keel.

 

 

 


THE SIN OF HAROLD DIDDLEBOCK

VCR No. 2871, 1947, 90 mins.

 

In this comedy, a middle aged man is fired from his job and left to his own resources after working at the same company for many years. This remake of “Mad Wednesday,” written and directed by Preston Sturges, stars Harold Lloyd and Rudy Vallee.

 

 

 

SOPHIE’S CHOICE

VCR No. 2751, 1982, 150 mins.

 

There is a time in a young person’s life when unusual events pull him beyond his own limited experience, and new people open him to the world beyond the protective embrace of family and neighbors. Such time is recalled by Stingo, the narrator of William Styron’s acclaimed novel “Sophie’s Choice.” For him it was the summer of 1947, when America was making a concerted effort to put the wounds of World War II behind itself. Though it was time for savoring the fruits of victory, the tragic conflict’s aftermath unexpectedly continued to affect so many people who tried to resume living ordinary, peaceful lives.

 

 

SOUTH PACIFIC

VCR No. 2970, 1958, 145 mins.

 

One of the most enduring of all Rodgers and Hammerstin musicals combining brilliant colour photography and Hawaiian locations with the stories of James Michener and some of the most tuneful songs of all time. Wealthy French planter Rossano Brazzi and navy nurse Mitzi Gaynor play out one romance, lieutenant John Kerr and native girl France Nuyen the other. Juanita Hall (“Happy Talk”) repeats the famous role of Bloody Mary she first created on the Broadway stage.

 

 

 

A STAR IS BORN

VCR No. 2395, 1976, 135 mins.

 

In this bittersweet love story, Barbara Streisand plays Esther Hoffman, an unknown singer on the brink of stardom. Kris Kristofferson is John Norman Howard, the “has been” rock star who becomes her husband.

 

 

STAR TREK 4: THE VOYAGE HOME

VCR No. 2688, 1986, 117 mins.

 

In this science fiction film, it’s the 23rd century, and a mysterious alien power is threatening earth. The crew of the spaceship Star Trek must time travel back to 1987. Starring William Shatner and Leonard Nimoy.

 

 

 

TERMS OF ENDEARMENT

VCR No. 2756, 1983, 126 mins.

 

Terms of Endearment dazzled critics and audiences alike with its believable, insightful story of two captivating people, mother and daughter, unforgettably played by Shirely MacLaine and Debra Winger. From grand slapstick to deepest sentiment, director James L. Brooks masterfully paoints scenes from their evolving 30-years relationship. Jack Nicholson turns in a great comic performance as MacLaine’s neighbor, a boozy, womanizing former astronaut.

 

 

THE UNCERTAIN FEELING

VCR No. 2872, 1941, 84 mins.

 

This romantic comedy, produced and directed by Ernest Lubitsch, features a neglected wife who develops insomnia and befriends an eccentric pianist, who moves in with the couple, making the husband jealous. A remake of the silent film “Kiss Me Again,” this film stars Merle Oberon, Melvyn Douglas and Burgess Meredith.

 

 

 

WEST SIDE STORY 

VCR No. 2760, 1961, 147 mins.

 

America”, “Tonight”, “Maria”. “Somewhere”, “ I Feel Pretty” – just some of the sensational evergreen songs from West Side Story, the winner of ten Oscars including Best Picture. Opening with the now famous helicopter shot of Manhattan, West Side Story is the heart-rending, brilliantly tuneful contemporary version of “Romeo and Juliet.” The gang rivalry between The Jets and the Puerto Ricans Sharks reaches fever pitch when ex-Jet Tony falls in love with Maria, the sister of Shark leader Bernardo. When Bernado is killed in a gang misunderstanding, Tony and Maria become the unwilling, tragic participants in the resulting vendetta.

 

 

 

WHO’S AFRAID OF VIRGINIA WOOLF?

VCR No. 4038, 1966, 131 mins. [b/w]

Edward Albee's astounding journey into the hell of a stormy marriage blazes with powerhouse performances by Elizabeth Taylor, Richard Burton, George Segal and Sandy Dennis. Five Academy Awards (R).



 

PSYCHO

VCR No. 4182, 1960, 108 mins. [b/w]

 

Alfred Hitchcock’s masterpiece of the macabre stars Anthony Perkins as the troubled Norman Bates, whose “old dark house” and adjoining motel are not the place to spend a quiet evening. No one knows that better than Janet Leigh, the film’s ill-fated heroine who is victimized in the now notorious “shower scene.” Vera Miles, Martin Balsam, John Gavin and John Mclntire co-star in Hitchcock’s most compelling and terrifying film. Screenplay by Joseph Stefano.

 

 

 

MIDNIGHT COWBOY

VCR No. 4183, 1969, 113 mins.

 

Daring. Provocative. Shocking. Compelling. Nearly thirty years after its original release, “Midnight Cowboy is still heartbreaking – and timeless” (The New York Observer).This Academy Awards winner for Best Picture, Best Director and Best Screenplay, also boasts Oscar – nominated performances by Dustin Hoffman and Jon Voight, neither of whom have “ever been better on screen than they are here” (Chicago Tribune)! And with its controversial, unflinching look at the harsh realities of life on the streets, this transcendent, compassionate film masterpiece turns the tables on the typical Hollywood happy ending… and hits you right in the heart.

Joe Buck (Voight), a good-looking, naively charming Texas “cowboy” who’s convinced that he’s the salvation of many love-starved New York women, makes his way to the Big Apple to seek his fortune. Trouble is, his well-to-do clientele never materializes – and the only wealth he finds is in the friendship of Ratso Rizzo (Hoffman), a scrounging, sleazy, small-time con man with big dreams. Living on the tattered fringe of society, these two outcasts develop an unlikely bond – one that transcends their broken dreams and get-rich-quick schemes and makes Midnight Cowboy “that rarest of things…every bit as moving now as it was when it was [first] released” (Premiere Magazine).

 

 

PULP FICTION

VCR No. 4184, 1994, 164 mins.

 

A spectacular mix of explosive action and wickedly funny humor-critics and audiences worldwide hailed Pulp Fiction as the star-studded movie event of 1994. Writer/director Quentin Tarantino (Academy Award Winner – Best Original Screenplay) delivers an unforgettable cast of characters – including a pair of low-rent hit men (John Travolta and Samuel L. Jackson), thier boss’s sexy wife (Uma Thurman) and a desperate, last-chance prizefighter (Bruce Willis) – in a wildly entertaining big-screen adventure. Now with bonus scenes not shown in theaters or on the original video release, hosted by Quentin Tarantino!

 

 

 

QUIZ SHOW

VCR No. 4185, 1994, 133 mins.

 

Based on the book by Richard N. Goodwin, this Robert Redford film tells the true story behind the great quiz show scandal of 1959. As television becomes more popular throughout the 1950s, quiz shows follow suit, attracting compulsive viewers who cheer for the brilliant, intellectual contestants--America’s best and brightest. Herbert Stempel (John Turturro) may be unattractive and abrasive, but in 1959 he is the reigning champion of the game show TWENTY-ONE. When ratings begin to slip, the network decides that it’s time to bring in a more appealing champion and bribes Stempel to answer incorrectly and purposely lose to Charles Van Doren (Ralph Fiennes), a handsome WASP professor who eventually achieves celebrity status and incredible wealth. Feeling bitter and betrayed, Stempel accuses the producers of feeding answers to the quiz show winners, prompting a congressional investigation. As the scandal grows, a different portrait of America emerges--one that shatters the nation's illusion of perfection so prevalent in the 1950s. Rob Morrow stars as Dick Goodwin, the investigator who labors tirelessly to establish the truth and simultaneously develops a respectful friendship with the subject of the investigation, Van Doren.

 

 

 

BREAKFAST AT TIFFANY’S

VCR No. 4186, 1961, 115 mins.

 

The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her next-door neighbor, a writer who is "sponsored" by a wealthy Patrciia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this gem-like treat set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini-Johnny Mercer song "Moon River."

 

 

BODY HEAT

VCR No. 4187, 1981, 113 mins.

 

Ned Racine is a seedy small town lawyer in Florida. During a searing heatwave he's picked up by married Matty Walker. A passionate affair commences but it isn't long before they realise the only thing standing in their way is Matty's rich husband Edmund. A plot hatches to kill him but will they pull it off?

 


A STREETCAR NAMED DESIRE

VCR No. 4188, 1951, 125 mins.

Set in the French Quarter of New Orleans during the restless years following World War Two, A STREETCAR NAMED DESIRE is the story of Blanche DuBois, a fragile and neurotic woman on a desperate prowl for someplace in the world to call her own. After being exiled from her hometown of Laurel, Mississippi for seducing a seventeen-year-old boy at the school where she taught English, Blanche explains her unexpected appearance on Stanley and Stella's (Blanche's sister) doorstep as nervous exhaustion. This, she claims, is the result of a series of financial calamities which have recently claimed the family plantation, Belle Reve. Suspicious, Stanley points out that "under Louisiana's napoleonic code what belongs to the wife belongs to the husband." Stanley, a sinewy and brutish man, is as territorial as a panther. He tells Blanche he doesn't like to be swindled and demands to see the bill of sale. This encounter defines Stanley and Blanche's relationship. They are opposing camps and Stella is caught in no-man's-land. But Stanley and Stella are deeply in love. Blanche's efforts to impose herself between them only enrages the animal inside Stanley. When Mitch -- a card-playing buddy of Stanley's -- arrives on the scene, Blanche begins to see a way out of her predicament. Mitch, himself alone in the world, reveres Blanche as a beautiful and refined woman. Yet, as rumors of Blanche's past in Laurel begin to catch up to her, her circumstances become unbearable.

 

 

MY LEFT FOOT

VCR No. 4189, 1989, 108 mins.

In this true story told through flashbacks, Christy Brown (Daniel Day-Lewis) is born with crippling cerebral palsy into a poor, working-class Irish family. Able only to control movement in his left foot and to speak in guttural sounds, he is mistakenly believed to be retarded for the first ten years of his life. Later, through the help of his strong-willed mother (Brenda Fricker), a dedicated teacher, and his own courage and determination, Christy not only learns to grapple with life's simple physical tasks and complex psychological pains, but he also develops into a brilliant painter, poet and author

 

 

BAD DAY AT BLACK ROCK

VCR No. 4190, 1954, 78 mins.

John J. Macreedy doesn't know it, but when he steps off the train at the jerkwater town of Black Rock, he will soon find himself the object of fear, hatred, and even a murder plot! The altruistic Macreedy came to Black Rock to hand over a posthumous military award to a local man whose son had died gallantly in the Second World War. What Macreedy couldn't know when he stepped off of that train was that the town had a shameful secret, one that must be kept at all costs.

 

 

 

DANCES WITH WOLVES

VCR No. 4193, 1990, 181 mins.

 

Rewarded for his heroism in the Civil War, Lt. John Dunbar (Kevin Costner), wants to see the American frontier before it is gone. He is assigned to an abandoned fort, where a Sioux tribe is his only neighbor. Overcoming the language barrier and their mutual fear and distrust, Dunbar and the proud Indians gradually become friends. Eventually, he falls in love with the beautiful Stands With A Fist (Mary McDonnell), a white woman raised by the tribe. He learns the culture of the Sioux, lives with them, and even experiences the breathtaking excitement of a buffalo hunt, but his knowledge of the fate which will ultimately befall the tribe torments him. Finally, hs is faced with a crucial decision that will cause him to examine his heart and soul before making a heroic choice that determines his destiny.

 

 

 

BRAVEHEART

VCR No. 4194, 1995, 177 mins. on 2 tapes.

 

Mel Gibson stars on both sides of the camera, playing the lead role plus directing and producing this brawling, richly-detailed saga of fierce combat, tender love and the will to risk all that's precious for something more precious: freedom. In an emotionally charged performance, Gibson is William Wallace, a bold Scotsman who used the steel of his blade and the fire of his intellect to rally his countrymen to liberation. Filled with sword-clanging spectacle, Braveheart is a tumultuous tapestry of history come alive, "the most sumptuous and involving historical epic since Lawrence Of Arabia" (Rod Lurie, Los Angeles Magazine).

 

 

THE GODFATHER Part III

VCR No. 4195, 1990, 170 mins. on 2 tapes.

One of the greatest sagas in movie history continues! In this third film in the epic Corleone trilogy, Al Pacino reprises the role of powerful family leader Michael Corleone. Now in his 60s, Michael is dominated by two passions: freeing his family from crime and finding a suitable successor. That successor could be fiery Vincent (Andy Garcia)... but he may also be the spark that turns Michael's hope of business legitimacy into an inferno of mob violence. Francis Ford Coppola directs Pacino, Garcia, Diane Keaton, Talia Shire, Eli Wallach, Sofia Coppola, Joe Mantegna and others in this exciting, long-awaited film that masterfully explores the themes of power, tradition, revenge and love. Seven Academy Award® nominations, including Best Picture.


 

“IT HAPPENED ONE NIGHT!”

VCR No. 4196, 1962, 105 mins. [b/w]

 

Clark Gable and Claudette Colbert team up for laughs as mismatched lovers in this 1934 screwball comedy classic. Spoiled Ellie Andrews (Colbert) escapes from her millionaire father (Walter Connolly), who wants to stop her from marrying a worthless playboy. En route to New York, Ellie gets involved with an out-of-work newsman, Peter Warne (Gable). When their bus breaks down, the bickering couple set off on a madcap hitchhiking expedition.Peter hopes to parlay the inside story of their misadventures into a job. But complications fly when the runaway heiress and brash reporter fall in love. Directed by Frank Capra.

 

ROBIN AND MARIAN

VCR No. 4197, 1976, 107 mins.

 

The legend of Robin Hood continues in this high-spirited adventure. Many years have passed since Robin (Sean Connery) led the fight for the poor people of Nottingham. Now, he and little John return from the Crusades under the command of King Richard the Lionheart (Richard Harris). But when Richard is accidentally slain, the mad King John assumes the throne and Robin regroups the members of his old Sherwood Forest band. When the King orders the Sheriff of Nottingham (Robert Shaw), Robin’s old nemesis, to remove the clergy from the countryside, Robin moves swiftly into action. He rescues Maid Marian (Audrey Hepburn), his erstwhile love who has since become a nun, and their old flame is rekindled. But the rivalry between Robin and the Sheriff is also renewed and now they must prepare for their final confrontation.

 

 

 

CHARADE

VCR No. 4198, 1997, 113 mins.

 

Reggie Lambert (Hepburn) returns to Paris from a ski trip in the French Alps to find her house ransacked and her husband dead. His funeral is attended by some curious thugs including James Coburn & George Kennedy, each of whom makes sure the dead man is indeed dead. Peter (Grant) offers his assistance to Reggie, as does CIA man Bartholomew who informs her that her husband was not the man she thought he was. Hepburn’s growing romance with the suave Grant is delightfully handled and the location photography is exquisite. Charade is a truly classic romance.

 

 


 

APOCALYPSE NOW

VCR No. 4199, 1979, 153 mins.

 

Francis Ford Coppola's stunning vision of man's heart of darkness revealed through the madness of the Vietnam War. Lieutenant Willard (Martin Sheen) receives orders to seek out a renegade military outpost led by the mysterious Colonel Kurtz (Marlon Brando). Willard's mission: 'Terminate with extreme prejudice.' One of the most powerful films of all time, Apocalypse Now was nominated for eight Academy Awards and won two for Best Sound and Best Cinematography. Newly remastered under the supervision of Oscar. winners Vittorio Storaro and Walter Murch.

 

 

 

HARVEY: JAMES STEWART

VCR No. 4200, 1977, 104 mins. . [b/w]

 

James Stewart gives one of his finest performances in this light-hearted film, based on the Pulitzer Prize-winning play. Stewart stars as the good-natured Elwood P. Dowd, whose constant companion is Harvey, a six-foot tall rabbit that only he can see. To his sister, Veta Louise, Elwood’s obsession with Harvey has been a thorn in the side of her plans to marry off her daughter. But when Veta Louise decides to put Elwood into a mental hospital, a hilarious mix-up occurs and she finds herself committed instead. It’s up to Elwood straighten out the mess with his kindly philosophy, and his “imaginary” friend, in this popular classic that features a “Best Supporting Actress” Academy Award – winning performance by Josephine Hull.

 

 

 

BULL DURHAM

VCR No. 4201, 1988, 108 mins.

 

Two of America's favorite pastimes--baseball and sex--team up in this winning comedy. Set in the bedrooms and ballfields of the minor league town, this love triangle leads off with Crash Davis (Kevin Costner), a seasoned catcher whose best years on the ballfield are behind him ... but whose finest moments in the bedroom still lie ahead. Crash is assigned to prepare a cocky young pitcher, “Nuke” LaLoosh (Tim Robbins), for the majors. But the team’s unofficial trainer and handler Annie Savoy (Susan Sarandon) intervenes, stating “There’s never been a ballplayer who slept with me who didn’t have the best years of his career.” Catch the fever in this major league hit that covers all the bases.

 

 


THE PIRATE

VCR No. 4202, 1990, 102 mins.

 

Take a gala musical excursion into the lore of the skull and crossbones. The Pirate presents an unbeatable combination: Gene Kelly and Judy Garland singing and dancing to the music of Cole Porter. And what better place for them to meet for their bright, funny romp than on a 19th century Caribbean isle, the lovely romantic setting for this magical musical. Judy Garland plays the wistful heroine Manuela, suffering under the burden of an impending “arranged” marriage to the town’s middle-aged mayor (Walter Slezak). Doing some of the most flamboyant, gymnastic dancing of his career, Gene Kelly plays the itinerant magician who learns the secrets of her heart and dashingly risks life and limb to become the pirate of her dreams.

 

 

MISS ROSE WHITE

VCR No. 4203, 1998, 100 mins.

 

Rayzel Weiss (Kyra Sedgwick) and her father (Maximilian Schell) fled Poland before Hitler invaded, but her mother and sister were less fortunate. Fifteen years later, Rayzel has left her past behind. She has a new life and even a new name – Rose White. Happy and successful in her Manhattan apartment and her upscale department store job, Rose keeps her tragic past hidden from her friends – and her own heart. But Rose’s carefully constructed world begins to crumble when her long-lost sister, (Amanda Plummer in an Emmy-winning performance) a concentration camp survivor, comes to America to stay with her. With Lucia’s arrival comes painful memories that haunt their reunion... and a shocking revelation that will challenge everything Rose believes and all that she hopes to be. Now Rose must face the ghosts of the past to find her dreams for the future in this unforgettable Emmy-winning Best Drama about acceptance, forgiveness and family ties.

 

 

SERGEANT YORK

VCR No. 4204, 1941, 137 mins. [b/w]

 

He was a pacifist turned patriot, a backwoods farm boy and ace TurkeyShoot champ who decided there are some things worth fighting for and he became the most renowned hero of World War I. Alvin C. York captured 132 German soldiers during the savage fighting in Argonne. When Hollywood later came courting, he again proved his keen eye. York insisted his story could only be filmed if Gary Cooper starred. Gary Cooper gives one of his best performances (for which he won an Oscar).

 

 

JFK

VCR No. 4205, 1991, 189 mins. on 2 tapes.

 

A film that chronicles New Orleans district attorney Jim Garrison's investigation into the assassination of President John F. Kennedy. It explores all the credible assassination theories that have raised the nation's persistent questions, doubts and suspicions.

 

THE DISPLACED PERSON

VCR No. 4206, 2001, 58 mins.

 

Flannery O'Connor is a writer with a keen sense of observation for the subtle cruelty that comes from fear of the unknown. The case in point is "The Displaced Person." Set in Georgia during the late 1940's, the "displaced person" is a Polish refugee (Mr. Guizac) who's relocated by a priest (John Houseman) to work on Mrs. McIntyre's (Irene Worth) farm. Quickly the industrious and clever Mr. Guizac becomes a threat to the other farmworkers. Soon all are plotting Mr. Guizac's downfall until fate unexpectedly takes a hand in deciding this outsider's destiny & and

ultimately everyone's tragedy. Two-time Oscar-winning screenwriter Horton Foote crafts the screenplay in this powerful and shocking story.

 

 

 

 

 

 

 

 

 

 


Updated: February 2008